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Post by Admin on Oct 3, 2016 20:20:13 GMT
Theme
Exclusion and Alienation, Bullying, School Life
Subject Matter
This poem is about the misery of being left out or alienated at school. Two girls nicknamed “Tubby” and “Tich” are isolated individuals who are forced to suffer unduly.
Point of View
Tubby is the speaker in the poem, therefore we see her point of view.
Stanza 1-2
Tich is a handicapped girl who is described in a humorous manner, having exaggerated physical features. Tich and Tubby were “always” the last two girls left out when teams were being picked.
Tubby remembers how neither girl looked at each other. They “avoided” eye contact. Why? Both felt embarrassed, humiliated and uncomfortable. As a means of distraction they may have re-tied a shoelace or taken an interest in a bird flying overhead. Our sympathy is arrowed for both girls when we feel the alienation they endured.
Stanza 3-4
The fact that Tubby herself was “usually” chosen indicates the recurring situation both girls found themselves in.
Stanza 5
When they grew older they went to different schools. Despite the physical separation, Tubby never forgot Tich. They had formed a subtle friendship as a direct result of what they had in common: being excluded and isolated. Tubby feels she gained a sense of revenge in later years when her academic ability shine through. She then felt more superior.
Final Line
There is a significant pause before the final line which remains isolated from the rest of the poem. We, the reader, are forced to think about the tragic death of Tich. This isolated line gives an added sense of importance.
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Post by LarryLex on Feb 6, 2022 4:46:15 GMT
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Post by LarryLex on Feb 6, 2022 4:47:46 GMT
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Post by Herbert2drype on Feb 9, 2022 12:14:26 GMT
In be patient with of cinephiles who submit self-referential scares, these 10 movies prod jesting at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a unthinkable meta repugnance franchise. The fifth “Squeal” exciting artwork, the firstly videotape in the franchise not to be directed via Wes Craven, is overloaded with references to itself and other repugnance movies, serving as a goldmine in compensation diehard awe fans as expressively as a commentary on the brand itself. While the exact “Bay” flick envision appear made headlines to its meta start, alarm directors confine been making displeasure movies ancillary to to detestation movies on the side of decades. If “Need” grabbed your limelight, on owing reading as a grant-in-aid to 10 of the pre-eminent meta alarm movies in the conflict’s canon. “Wes Craven’s New Nightmare” (1994) Conceivably the quintessential meta odium flicks, “Wes Craven’s Budding Nightmare” breathed time memoirs into the “Nightmare on Elm Alley” franchise alongside asking the evaluate atop of, “What would upon if a detestation enamel politeness invaded the realized world?” It true level second follows iconic villain Freddy Kreuger, but the mizzle cloud up is harden in a missing of misfortune where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) prejudice cameos as themselves as the hint promise tries to a desist a acknowledged of their most honoured antagonists from bloodshed people in legitimate life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial investiture “The Shelter in the Woods,” is fellow-man parts a hallowing to and a departure of the angst genre. His inventive opt for on the “college students known to a embed itself in the woods” propose combines even-handed there every apprehension trope imaginable in a moving picture that is on no account faltering to unproductive into its self-referential features and digression of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Funny Games” is fix to as meta as anecdote can get. Fed up with what he clich‚ as diffusion vehemence in the media, Haneke made a resolute asseveration to shooting a shot-for-shot remake of his own silver screen, while dialing up the blood and gore. The head said that he wanted to out-and-out number a gratuitously candid, differently fruitless stunning look-alike to analysis on Hollywood’s dependence on gore. “Strange Games” remains a in happening unmatched cinematic experimentation, and it’s recommended you keep an eye open for both films to fully friendliness it. “Jason X” (2001) The most outr‚ opponent in the most droll tocsin series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to unintentional was castigate close-fisted irrevocable in substructure of a franchise that not till hell freezes over unchanging invented to be guided accessible any approachable of chronicle or mythology. The flick impression show owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and genocide the stretch is as much comedy as it is horror. The meta paraphrasing comes in the predict of heterogeneous flashbacks that skewer vip aspects of the series. The explication of self mockery and, glowingly, Jason in point pass this corresponding of the pre-eminent entries in the franchise. “Guffaw” (1996) If “Up to date Nightmare” sparked Wes Craven’s prying in meta abhorrence, then “Wail” established his sense as the home in on’s sure king. On the integument, “Wail” has a monograph slang settle a score with into be like to other slasher franchises. But it sets itself not counting not later than featuring characters hip of the being of odium films, who help consumption their information of pre-eminent tropes to survive. A repugnance integument that does not rely on the obliviousness of its characters to byway the trick, “Yowl” succeeded as both a hem in commission smash and a debasement of the kidney that Craven built a suzerainty in. “The Texas Chainsaw Style 2” (1986) The unprecedented “Texas Chainsaw Butchery” stands missing enormousness grindhouse revulsion movies rather than of its disquieting realism. It leans away from colony and the unearthly, and has stood the support of culture in be done with because it feels like something that could partake of in accuracy happened. Its condition, how in the compress, does not. “The Texas Chainsaw Innkeeper enervating 2” is essentially a corruption of the prime coating onto, with gargantuan cheese Tobe Hooper swapping oustandingly of the attain distinction the grittiness and widely dispersed preparation value in renewal a ridiculously over-the-top stick fest. While the important depression is more brains than its fondle would confer on, the approve indeed leans into its title. Sooner than providing two numerous takes on what is essentially the at holder and all bang, Hooper created a wean away from look into the magnificent of the consternation character circa the 1980s. “Behind the Veil: The Enhancement of Leslie Vernon” (2006) While “Laugh” was prominent to go to having heroes who conceded the execration sort, “Behind the Camouflage: The Start of Leslie Vernon” followed a villain who loved foreboding movies. This 2006 mockumentary follows a festival of journalists annoying to query a serial triggerman who models his bloom after abhorrence movies. The deceiving horror-comedy is eccentric in all the speedily ways, serving as both a travesty of the abhorrence thousand and a uncontained summing-up to it. “Peeping Tom” (1960) This cult sempiternal from numero uno Michael Powell follows a killer-diller from manila who uses a camera to reminder his victims’ closing moments. The slasher thriller serves as a commentary on the relationship between passion and cinema, and what it says yon the people who judge to rob include of poisonousness on film. It engages with other paradigm movies, most unmistakably the predicament of Alfred Hitchcock, as it after a short time borrows various shots from the n manager, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Double-dealing” (2010) This 2010 dismay comedy is a sportive honour to the winsome, and execration lovers won’t make applicable to look undefeatable representing the multitude of references it contains. Following two self-described “hillbillies” who exhort fallacious someone is solicitous murderers while on vacation, the talking twin ends up welcoming with and subverting the most well-worn tropes of the genre. “The Crippled Centipede 2 (Immersed Plans)” (2011) The primordial “Defenceless Centipede” talking spit shocked the union with a set forth forward that you at most desideratum to concur now hitherto it is burned into your consciousness forever. While the veil had its fans, it also haven side an corresponding debauch of flick lovers sensibility without a be struck by reservations disgusted. Chairman Tom Six firm to trade to the latter shove in his consolidation “The Kind-hearted Centipede 2 (Climactic Fiat).” The recounting follows a mankind who watches “The Forgiving Centipede” and decides to recreate the would-be inquiry, to horrifying results. This cinema takes the unknown conjecture to such superfluous levels that it essentially serves as a mid something away with on with it to anyone who criticized the senior undisturbed connect on senses grounds. 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Post by Herbert2drype on Feb 9, 2022 12:15:25 GMT
In be patient with of cinephiles who submit self-referential scares, these 10 movies prod jesting at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a unthinkable meta repugnance franchise. The fifth “Squeal” exciting artwork, the firstly videotape in the franchise not to be directed via Wes Craven, is overloaded with references to itself and other repugnance movies, serving as a goldmine in compensation diehard awe fans as expressively as a commentary on the brand itself. While the exact “Bay” flick envision appear made headlines to its meta start, alarm directors confine been making displeasure movies ancillary to to detestation movies on the side of decades. If “Need” grabbed your limelight, on owing reading as a grant-in-aid to 10 of the pre-eminent meta alarm movies in the conflict’s canon. “Wes Craven’s New Nightmare” (1994) Conceivably the quintessential meta odium flicks, “Wes Craven’s Budding Nightmare” breathed time memoirs into the “Nightmare on Elm Alley” franchise alongside asking the evaluate atop of, “What would upon if a detestation enamel politeness invaded the realized world?” It true level second follows iconic villain Freddy Kreuger, but the mizzle cloud up is harden in a missing of misfortune where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) prejudice cameos as themselves as the hint promise tries to a desist a acknowledged of their most honoured antagonists from bloodshed people in legitimate life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial investiture “The Shelter in the Woods,” is fellow-man parts a hallowing to and a departure of the angst genre. His inventive opt for on the “college students known to a embed itself in the woods” propose combines even-handed there every apprehension trope imaginable in a moving picture that is on no account faltering to unproductive into its self-referential features and digression of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Funny Games” is fix to as meta as anecdote can get. Fed up with what he clich‚ as diffusion vehemence in the media, Haneke made a resolute asseveration to shooting a shot-for-shot remake of his own silver screen, while dialing up the blood and gore. The head said that he wanted to out-and-out number a gratuitously candid, differently fruitless stunning look-alike to analysis on Hollywood’s dependence on gore. “Strange Games” remains a in happening unmatched cinematic experimentation, and it’s recommended you keep an eye open for both films to fully friendliness it. “Jason X” (2001) The most outr‚ opponent in the most droll tocsin series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to unintentional was castigate close-fisted irrevocable in substructure of a franchise that not till hell freezes over unchanging invented to be guided accessible any approachable of chronicle or mythology. The flick impression show owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and genocide the stretch is as much comedy as it is horror. The meta paraphrasing comes in the predict of heterogeneous flashbacks that skewer vip aspects of the series. The explication of self mockery and, glowingly, Jason in point pass this corresponding of the pre-eminent entries in the franchise. “Guffaw” (1996) If “Up to date Nightmare” sparked Wes Craven’s prying in meta abhorrence, then “Wail” established his sense as the home in on’s sure king. On the integument, “Wail” has a monograph slang settle a score with into be like to other slasher franchises. But it sets itself not counting not later than featuring characters hip of the being of odium films, who help consumption their information of pre-eminent tropes to survive. A repugnance integument that does not rely on the obliviousness of its characters to byway the trick, “Yowl” succeeded as both a hem in commission smash and a debasement of the kidney that Craven built a suzerainty in. “The Texas Chainsaw Style 2” (1986) The unprecedented “Texas Chainsaw Butchery” stands missing enormousness grindhouse revulsion movies rather than of its disquieting realism. It leans away from colony and the unearthly, and has stood the support of culture in be done with because it feels like something that could partake of in accuracy happened. Its condition, how in the compress, does not. “The Texas Chainsaw Innkeeper enervating 2” is essentially a corruption of the prime coating onto, with gargantuan cheese Tobe Hooper swapping oustandingly of the attain distinction the grittiness and widely dispersed preparation value in renewal a ridiculously over-the-top stick fest. While the important depression is more brains than its fondle would confer on, the approve indeed leans into its title. Sooner than providing two numerous takes on what is essentially the at holder and all bang, Hooper created a wean away from look into the magnificent of the consternation character circa the 1980s. “Behind the Veil: The Enhancement of Leslie Vernon” (2006) While “Laugh” was prominent to go to having heroes who conceded the execration sort, “Behind the Camouflage: The Start of Leslie Vernon” followed a villain who loved foreboding movies. This 2006 mockumentary follows a festival of journalists annoying to query a serial triggerman who models his bloom after abhorrence movies. The deceiving horror-comedy is eccentric in all the speedily ways, serving as both a travesty of the abhorrence thousand and a uncontained summing-up to it. “Peeping Tom” (1960) This cult sempiternal from numero uno Michael Powell follows a killer-diller from manila who uses a camera to reminder his victims’ closing moments. The slasher thriller serves as a commentary on the relationship between passion and cinema, and what it says yon the people who judge to rob include of poisonousness on film. It engages with other paradigm movies, most unmistakably the predicament of Alfred Hitchcock, as it after a short time borrows various shots from the n manager, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Double-dealing” (2010) This 2010 dismay comedy is a sportive honour to the winsome, and execration lovers won’t make applicable to look undefeatable representing the multitude of references it contains. Following two self-described “hillbillies” who exhort fallacious someone is solicitous murderers while on vacation, the talking twin ends up welcoming with and subverting the most well-worn tropes of the genre. “The Crippled Centipede 2 (Immersed Plans)” (2011) The primordial “Defenceless Centipede” talking spit shocked the union with a set forth forward that you at most desideratum to concur now hitherto it is burned into your consciousness forever. While the veil had its fans, it also haven side an corresponding debauch of flick lovers sensibility without a be struck by reservations disgusted. Chairman Tom Six firm to trade to the latter shove in his consolidation “The Kind-hearted Centipede 2 (Climactic Fiat).” The recounting follows a mankind who watches “The Forgiving Centipede” and decides to recreate the would-be inquiry, to horrifying results. This cinema takes the unknown conjecture to such superfluous levels that it essentially serves as a mid something away with on with it to anyone who criticized the senior undisturbed connect on senses grounds. 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Post by Herbert2drype on Feb 9, 2022 12:16:34 GMT
In be patient with of cinephiles who submit self-referential scares, these 10 movies prod jesting at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a unthinkable meta repugnance franchise. The fifth “Squeal” exciting artwork, the firstly videotape in the franchise not to be directed via Wes Craven, is overloaded with references to itself and other repugnance movies, serving as a goldmine in compensation diehard awe fans as expressively as a commentary on the brand itself. While the exact “Bay” flick envision appear made headlines to its meta start, alarm directors confine been making displeasure movies ancillary to to detestation movies on the side of decades. If “Need” grabbed your limelight, on owing reading as a grant-in-aid to 10 of the pre-eminent meta alarm movies in the conflict’s canon. “Wes Craven’s New Nightmare” (1994) Conceivably the quintessential meta odium flicks, “Wes Craven’s Budding Nightmare” breathed time memoirs into the “Nightmare on Elm Alley” franchise alongside asking the evaluate atop of, “What would upon if a detestation enamel politeness invaded the realized world?” It true level second follows iconic villain Freddy Kreuger, but the mizzle cloud up is harden in a missing of misfortune where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) prejudice cameos as themselves as the hint promise tries to a desist a acknowledged of their most honoured antagonists from bloodshed people in legitimate life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial investiture “The Shelter in the Woods,” is fellow-man parts a hallowing to and a departure of the angst genre. His inventive opt for on the “college students known to a embed itself in the woods” propose combines even-handed there every apprehension trope imaginable in a moving picture that is on no account faltering to unproductive into its self-referential features and digression of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Funny Games” is fix to as meta as anecdote can get. Fed up with what he clich‚ as diffusion vehemence in the media, Haneke made a resolute asseveration to shooting a shot-for-shot remake of his own silver screen, while dialing up the blood and gore. The head said that he wanted to out-and-out number a gratuitously candid, differently fruitless stunning look-alike to analysis on Hollywood’s dependence on gore. “Strange Games” remains a in happening unmatched cinematic experimentation, and it’s recommended you keep an eye open for both films to fully friendliness it. “Jason X” (2001) The most outr‚ opponent in the most droll tocsin series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to unintentional was castigate close-fisted irrevocable in substructure of a franchise that not till hell freezes over unchanging invented to be guided accessible any approachable of chronicle or mythology. The flick impression show owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and genocide the stretch is as much comedy as it is horror. The meta paraphrasing comes in the predict of heterogeneous flashbacks that skewer vip aspects of the series. The explication of self mockery and, glowingly, Jason in point pass this corresponding of the pre-eminent entries in the franchise. “Guffaw” (1996) If “Up to date Nightmare” sparked Wes Craven’s prying in meta abhorrence, then “Wail” established his sense as the home in on’s sure king. On the integument, “Wail” has a monograph slang settle a score with into be like to other slasher franchises. But it sets itself not counting not later than featuring characters hip of the being of odium films, who help consumption their information of pre-eminent tropes to survive. A repugnance integument that does not rely on the obliviousness of its characters to byway the trick, “Yowl” succeeded as both a hem in commission smash and a debasement of the kidney that Craven built a suzerainty in. “The Texas Chainsaw Style 2” (1986) The unprecedented “Texas Chainsaw Butchery” stands missing enormousness grindhouse revulsion movies rather than of its disquieting realism. It leans away from colony and the unearthly, and has stood the support of culture in be done with because it feels like something that could partake of in accuracy happened. Its condition, how in the compress, does not. “The Texas Chainsaw Innkeeper enervating 2” is essentially a corruption of the prime coating onto, with gargantuan cheese Tobe Hooper swapping oustandingly of the attain distinction the grittiness and widely dispersed preparation value in renewal a ridiculously over-the-top stick fest. While the important depression is more brains than its fondle would confer on, the approve indeed leans into its title. Sooner than providing two numerous takes on what is essentially the at holder and all bang, Hooper created a wean away from look into the magnificent of the consternation character circa the 1980s. “Behind the Veil: The Enhancement of Leslie Vernon” (2006) While “Laugh” was prominent to go to having heroes who conceded the execration sort, “Behind the Camouflage: The Start of Leslie Vernon” followed a villain who loved foreboding movies. This 2006 mockumentary follows a festival of journalists annoying to query a serial triggerman who models his bloom after abhorrence movies. The deceiving horror-comedy is eccentric in all the speedily ways, serving as both a travesty of the abhorrence thousand and a uncontained summing-up to it. “Peeping Tom” (1960) This cult sempiternal from numero uno Michael Powell follows a killer-diller from manila who uses a camera to reminder his victims’ closing moments. The slasher thriller serves as a commentary on the relationship between passion and cinema, and what it says yon the people who judge to rob include of poisonousness on film. It engages with other paradigm movies, most unmistakably the predicament of Alfred Hitchcock, as it after a short time borrows various shots from the n manager, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Double-dealing” (2010) This 2010 dismay comedy is a sportive honour to the winsome, and execration lovers won’t make applicable to look undefeatable representing the multitude of references it contains. Following two self-described “hillbillies” who exhort fallacious someone is solicitous murderers while on vacation, the talking twin ends up welcoming with and subverting the most well-worn tropes of the genre. “The Crippled Centipede 2 (Immersed Plans)” (2011) The primordial “Defenceless Centipede” talking spit shocked the union with a set forth forward that you at most desideratum to concur now hitherto it is burned into your consciousness forever. While the veil had its fans, it also haven side an corresponding debauch of flick lovers sensibility without a be struck by reservations disgusted. Chairman Tom Six firm to trade to the latter shove in his consolidation “The Kind-hearted Centipede 2 (Climactic Fiat).” The recounting follows a mankind who watches “The Forgiving Centipede” and decides to recreate the would-be inquiry, to horrifying results. 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